Editorial

Authors

DOI:

https://doi.org/10.22475/rebeca.v13n2.1219

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Author Biographies

Miriam de Souza Rossini, Federal University of Rio Grande do Sul

PhD in History from the Federal University of Rio Grande do Sul (UFRGS) and Master's in Arts – Cinema from the University of São Paulo (USP). Full Professor at UFRGS, affiliated with the Department of Communication and the Graduate Program in Communication. Coordinator of ARTIS – Research Group on Aesthetics and Audiovisual Processes. CNPq PQ Fellow from 2006 to 2020. Porto Alegre (RS), Brazil.

Luíza Beatriz Amorim Melo Alvim, University of São Paulo

PhD in Communication from the Federal University of Rio de Janeiro (UFRJ) and in Music from the Federal University of the State of Rio de Janeiro (UNIRIO). She completed postdoctoral research in Music at UNIRIO and UFRJ. Currently, she is conducting postdoctoral research in Communication at the University of São Paulo (USP). São Paulo (SP), Brazil.

Morgana Gama de Lima, Federal University of Bahia

PhD from the Graduate Program in Communication and Contemporary Culture at the Federal University of Bahia (UFBA), where she is currently conducting postdoctoral research. Salvador (BA), Brazil.

Alex Ferreira Damasceno , Federal University of Pará

PhD in Communication and Information from the Federal University of Rio Grande do Sul (UFRGS). Professor in the Graduate Program in Arts at the Federal University of Pará (UFPA) and in the Film and Audiovisual Program at UFPA. Belém (PA), Brazil.

Márcio Zanetti Negrini, University of Sorocaba

PhD from the Graduate Program in Social Communication at the Pontifical Catholic University of Rio Grande do Sul (PUCRS), where he completed postdoctoral research with a PDJ fellowship from CNPq. Currently, he is conducting postdoctoral research at the University of Sorocaba with a CAPES fellowship (PDPG - Strategic Postdoctoral Program). Sorocaba (SP), Brazil.

Published

2024-12-23

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Editorial