Between gods and mortals: the art of telling stories in Santo forte
DOI:
https://doi.org/10.22475/rebeca.v1n1.15Keywords:
documentário, alteridade, auto-mise-en-scène.Abstract
The article highlights the complex relation between otherness and the multiplicity of subjects and points of view in the documentary cinema. It identifies and analyzes the image repertoires about the relationships that individuals develop with the sacred and the characters’ narrative skill of the film Santo Forte (Eduardo Coutinho, 1999).Downloads
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