Luta nas ruas contra o espetáculo?

Authors

  • Anselm Jappe

DOI:

https://doi.org/10.22475/rebeca.v2n1.301

Downloads

Download data is not yet available.

Author Biography

Anselm Jappe

Anselm Jappe (1962-) nasceu em Bonn, Alemanha, estudou filosofia em Roma e Paris, onde se doutora pela École des Hautes Études en Sciences Sociales. É professor na Accademia di Belle Arti di Frosinone, Itália, e dá cursos na EHESS. Estudou a obra de Guy Debord e dos situacionistas, as vanguardas artísticas, o marxismo, a Escola de Frankfurt e as transformações da subjetividade contemporânea. Dedica-se à elaboração da “crítica do valor” nas revistas alemãs Krisis e Exit!, fundadas por Robert Kurz. Publicou em português: Guy Debord (Vozes, 1999; Antígona, 2008), As aventuras da mercadoria (Antígona, 2006), Conferências de Lisboa (Antígona, 2013), Crédito a morte (Hedra, 2013), O “fim da arte” segundo Theodor W. Adorno e Guy Debord (Centelha viva, 2010).

Downloads

Published

2016-07-25

Issue

Vol. 2 No. 1 (2013): REBECA 3

Section

Out of frame

License

1.  Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under theCreative Commons Attribution License, which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.

 

2.  Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g. publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

 

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

CC BY-NC-SA

This  license allows others to remix, adapt, and create from your work for non-commercial purposes, provided they credit you and license new creations under identical terms.


You are free to:

●  Share — copy and redistribute the material in any medium or format.

●  Adapt — remix, transform, and build upon the material.

 

The licensor cannot revoke these freedoms as long as you follow the license terms:

 

●  You must give appropriate credit, provide a link to the license, andindicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.


● You may not use the material for commercial purposes.