Cartographies of Mexican Cinema in the 21st Century
DOI:
https://doi.org/10.22475/rebeca.v4n1.337Abstract
This paper provides a map of the historical shifts in Hollywood-Mexico relations, arguing that these changes have also shifted the representational paradigms of contemporary Mexican films. It traces the decentering of the geographic centers that delimited Hollywood-Mexico cinematic relations and its impact on the representational work of recent films from Mexico by Carlos Reygadas, Israel Cardenas and Laura Amelia Guzmán, and Enrique Rivero.Downloads
Downloads
Published
Issue
Section
License
1. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under theCreative Commons Attribution License, which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g. publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
CC BY-NC-SA
This license allows others to remix, adapt, and create from your work for non-commercial purposes, provided they credit you and license new creations under identical terms.
You are free to:
● Share — copy and redistribute the material in any medium or format.
● Adapt — remix, transform, and build upon the material.
The licensor cannot revoke these freedoms as long as you follow the license terms:
● You must give appropriate credit, provide a link to the license, andindicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
● You may not use the material for commercial purposes.