“Fiction is the utmost place of the human… it is the place of freedom”

a conversation with Eduardo Moreira and Inês Peixoto (Grupo Galpão) about Moscow (2008)

Authors

DOI:

https://doi.org/10.22475/rebeca.v12n2.1031

Keywords:

Moscow, Grupo Galpão, Eduardo Coutinho, Documentary

Abstract

Interview with actors Eduardo Moreira and Inês Peixoto, members of Grupo Galpão, about the process of making Moscow (Eduardo Coutinho, 2008), in which Coutinho recorded fragments of the group rehearsing Chekhov's Three Sisters, directed for the stage by Enrique Diaz. They discuss the open-ended nature of the process, Eduardo Coutinho's role in it, the workshops and exercises to develop subtext for the actors, and the inclusion of Chekhov in Galpão's repertoire.

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Author Biographies

Cláudia Mesquita, University of São Paulo

Ph.D. in Communication Sciences from the University of São Paulo (USP). Professor in the undergraduate program and the Postgraduate Program in Social Communication at the Federal University of Minas Gerais (UFMG), where she is a part of the research groups Poetics of Experience and Feminine Poetics, Feminist Politics. Belo Horizonte (MG), Brazil.

Fábio Andrade, New York University

Ph.D. candidate in the Department of Cinema Studies at New York University (NYU). Adjunct Professor at Columbia University, Hunter College, Pratt Institute, and NYU. New York (NY), United States.

Kamilla Medeiros, Federal University of Rio de Janeiro

Ph.D. candidate in the Postgraduate Program in Communication and Culture at the Federal University of Rio de Janeiro (UFRJ).

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Published

2024-01-13

Issue

Vol. 12 No. 2 (2023): Rebeca 24

Section

Interviews

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Copyright (c) 2023 Cláudia Mesquita, Kamilla Medeiros, Fábio Andrade

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