Corpos em deslocamento: passagens pelo sertão de O Céu de Suely e Deserto Feliz

Authors

  • Marcelo Dídimo Souza Vieira
  • Érico Oliveira de Araújo Lima

DOI:

https://doi.org/10.22475/rebeca.v3n2.128

Keywords:

Cinema Brasileiro, Sertão, Deslocamentos, Desejos

Abstract

A busca por outros lugares move os corpos dos personagens em algumas narrativas audiovisuais contemporâneas. Neste artigo, tomamos dois filmes recentes do cinema brasileiro, O Céu de Suely (Karim Aïnouz, 2006) e Deserto Feliz (Paulo Caldas, 2007), que são pensados em conjunto a partir de uma questão central, a do deslocamento. As duas obras tratam do movimento pelo espaço e dos desejos de evadir-se. Cada uma transforma essas questões em problemas cinematográficos de forma singular e situa a discussão num campo distinto do que habitualmente está associado aos road movies. As variações dão-se conforme as implicações dos percursos desencadeados e os dispositivos de passar e estar no Sertão.

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Published

2016-07-25

Issue

Vol. 3 No. 2 (2014): REBECA 6

Section

General articles

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