A ressonância do modelo analítico de Philip Tagg para os Estudos da Música no Cinema
DOI:
https://doi.org/10.22475/rebeca.v3n2.130Keywords:
Teoria da Música no Cinema, Musicologia, Philip Tagg, Estudos de Cinema.Abstract
Este artigo destaca o modelo analítico do musicólogo britânico Philip Tagg no intuito de averiguar não apenas a contribuição pretendida pelo autor, mas também a ressonância de suas proposições nos Estudos da Música no Cinema. Nosso objetivo é aprofundar a discussão sobre os desafios que o caráter híbrido e interdisciplinar desta área de estudos implica.Downloads
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