Variações sobre a constituição do encontro amoroso

Authors

  • Fabio Allan Mendes Ramalho

DOI:

https://doi.org/10.22475/rebeca.v3n2.148

Keywords:

cinema, afeto, encontro, amor.

Abstract

Partindo de uma obra específica, Toute une nuit (1982), de Chantal Akerman, proponho discutir em que medida um repertório imagético pervasivo, saturado de significações – o das imagens do amor no cinema – pode suscitar um engajamento afetivo. Busco argumentar que, mediante procedimentos tais como a fragmentação, a repetição e a serialização, o filme logra desprender um excesso que nos leva a adiar a assimilação de tais cenas ao âmbito do já visto, a fim de explorar os gestos que presidem as interações entre os amantes, encontrando aí potencialidades expressivas renovadas.

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Published

2016-07-25

Issue

Vol. 3 No. 2 (2014): REBECA 6

Section

General articles

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