Rabia contra la máquina

Almacenamiento en búfer, ruido y ansiedad perpetua en la era de la visualización conectada

Autores/as

DOI:

https://doi.org/10.22475/rebeca.v12n1.959

Palabras clave:

Buffering, Streaming, Neoliberalismo, Visualidad conectada

Resumen

El almacenamiento en búfer, la necesidad de precargar datos antes de transmitir un archivo de video o audio, personifica las interrupciones y rupturas de la experiencia digital que a menudo se pasan por alto. Mientras que el almacenamiento en búfer a menudo se lee como "ruido" o una molestia técnica que espera ser resuelta, una mirada más cercana puede llevarnos a cuestionar nuestra noción de mediación, inmersión y control. Al contextualizar el estudio del almacenamiento en búfer dentro de una rica historia de ruido auditivo y sónico, este artículo explora la "ansiedad perpetua" única que invoca y expone, así como la tensión entre el placer y el dolor encarnada en el reconocimiento de las imperfecciones de una tecnología supuestamente continua y utópica.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Neta Alexander, Colgate University

PhD pela New York University e M.A pela Columbia University. Professora Assistente de Cinema e Mídia na Colgate University e editora assistente do Journal of Cinema and Media Studies (JCMS). Hamilton (NY). Estados Unidos.

Julio Bezerra, Universidade Federal de Mato Grosso do Sul

Doutor pelo Programa de Pós-graduação em Comunicação da Universidade Federal Fluminense  (UFF). Realizou pesquisas de pós-doutorado na Escola de Comunicação da Universidade Federal do Rio de Janeiro (UFRJ) e na Columbia University. Professor dos Cursos de Jornalismo e de Audiovisual e do Programa de Pós-graduação em Comunicação da Universidade Federal de Mato Grosso do Sul (UFMS). Campo Grande (MS). Brasil.

Citas

AHMED, Sara. The Promise of Happiness. Durham, NC: Duke University Press, 2010.

ALEXANDER, Neta. Catered to Your Future Self: Netflix’s ‘Predictive Personalization’ and the Mathematization of Taste. In: McDONALD, Kevin;

SMITH-ROWSEY, Daniel (orgs.). The Netflix Effect: Technology and Entertainment in the 21st Century. New York: Bloomsbury Academic Publishing, 2016. p. 81-100.

ALEXANDER, Neta. Speed Watching, Efficiency, and the New Temporalities of Digital Spectatorship. In: HESSELBERTH, Pepita; POULAKI, Maria (orgs.). Compact Cinematics: The Moving Image in the Age of the Bit-Sized Media. New York: Bloomsbury Academic Publishing, 2017. p. 103-112.

ALLON, Fiona. On Capitalism’s Emotional Logics. Progress in Political Economy, 20 jul. 2015. Disponível em: http://ppesydney.net/on-capitalisms-emotional-logics. Acesso em: 03/07/2023.

APPADURAI, Arjun. Banking on Words: The Failure of Language in the Age of Derivative Finance. Chicago: University of Chicago Press, 2016.

ARROYO, Brandon. From Flow to Float: Moving through Porn Tube Sites. Porn

Studies, v. 3, n. 3, p. 308-310, 2016.

BAKER, Paul M. A., HANSON, Jarice, HUNSINGER, Jeremy (orgs.). The Unconnected: Social Justice, Participation, and Engagement in the Information Society. New York: Peter Lang, 2013.

BENNET, Jessica. Bubbles Carry a Lot of Weight. The New York Times, 29 ago. 2014. Disponível em: http://www.nytimes.com/2014/08/31/fashion/texting-anxiety-caused-by-little-bubbles.html. Acesso em: 03/07/2023.

BENSON-ALLOTT, Caetlin. Remote Control (Object Lessons). New York: Bloomsbury Academic Publishing, 2016.

BERLANT, Lauren. Cruel Optimism. Durham, NC: Duke University Press, 2011.

BLANCHETTE, Jean-Francois. A Material History of Bits. Journal of the American Society for Information Science and Technology, v. 62, n. 6, p. 1042-1057, 2011.

BOGOST, Ian. The Geek’s Chihuahua: Living with Apple. Minneapolis: University of Minnesota Press, 2015.

BORDWELL, David. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985.

BROWN, Wendy. States of Injury: Power and Freedom in Late Modernity. Princeton, NJ: Princeton University Press, 1995.

CHAMBERLAIN, Daniel. Television Interfaces and the Non-Places of Asynchronous Entertainment. In: BENNET, James; STRANGE, Niki (orgs.). Television as Digital Media. Durham, NC: Duke University Press, 2011. p.230-254.

CHUN, Wendy Hui Kyong. On ‘Sourcery,’ or Code as Fetish. Configurations, v. 16, n. 3, p. 299-324, 2008.

______. Programmed Visions: Software and Memory. Cambridge, MA: MIT Press, 2011.

______. Updating to Remain the Same: Habitual New Media. Cambridge, MA: MIT Press, 2016.

CRAWFORD, Matthew. The World beyond Your Head: On Becoming an Individual in an Age of Distraction. New York: Farrar, Straus & Giroux, 2015.

CUBITT, Sean. The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels. Cambridge, MA: MIT Press, 2014.

CVETKOVICH, Ann. Depression: A Public Feeling. Durham, NC: Duke University Press, 2012.

DALY, Kristen. Cinema 3.0: The Interactive-Image. Cinema Journal, v. 50, n. 1, p. 81-98, 2010.

DOURISH, Paul. Protocols, Packets, and Proximity: The Materiality of Internet Routing. In: PARKS, Lisa; STAROSIELSKI, Nicole (orgs.). Signal Traffic: Critical Studies of Media Infrastructures. Urbana, Chicago, e Springfield: University of Illinois Press, 2015. p. 183-204.

EADICICCO, Lisa. Apple Made a Subtle Change to the ‘Spinning Wheel of Death’ in Its Big New Mac Update. Business Insider, 1 out. 2015. Disponível em: http://www.businessinsider.com/apple-spinning-wheel-mac-el-capitan-2015-10. Acesso em: 03/07/2023.

GALLOWAY, Alexander. Protocol: How Control Exists after Decentralization. Cambridge, MA: MIT Press, 2004.

GINSBURG, Faye. Rethinking the Digital Age. In: HESMONDHALGH, David; TOYNBEE, Jason (orgs.). The Media and Social Theory. New York: Routledge, 2008. p. 127-144.

GRAHAM, Stephen; THRIFT, Nigel. Out of Order: Understanding Maintenance and Repair. Theory, Culture & Society, v. 24, n. 3, p. 1-25, 2007.

GROSZ, Elisabeth. Habit Today: Ravaisson, Bergson, Deleuze and Us. Body & Society, v. 19, n. 2-3, p. 217-239, 2013.

HALBERSTAM, Jack. The Queer Art of Failure. Durham, NC: Duke University Press, 2011.

HARRIES, Dan. Watching the Internet. In: HARIERS, Dan (org.). The New Media Book. London: British Film Institute, 2015. p. 171-183.

HARVEY, David. A Brief History of Neoliberalism. Oxford: Oxford University Press, 2005.

HASAN, Robert. 24/7: Time and Temporality in the Network Society. Stanford, CA: Stanford University Press, 2007.

HASS, Nancy. And the Award for the Next HBO Goes to.... GQ, 29 jan. 2013. Disponível em: http://www.gq.com/entertainment/movies-and-tv/201302/netflix-founder-reed-hastings-house-of-cards-arrested development. Acesso em: 03/07/2023.

HILDERBRAND, Lucas. Inherent Vice: Bootleg Histories of Videotape and Copyright. Durham, NC: Duke University Press, 2009.

HOLT, Jennifer; SANSON, Kevin. Connected Viewing: Selling, Streaming, and Sharing Media in the Digital Age. Hoboken, NJ: Taylor and Francis, 2013.

HU, Tung-Hi. Prehistory of the Cloud. Cambridge, MA: MIT Press, 2015.

JACOBS, Jason. Television, Interrupted: Pollution or Aesthetic?. In: BENNETT, James; STRANGE, Niki. Television as Digital Media. Durham, NC: Duke University Press, 2011. p. 255-280.

JENKINS, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006.

KELLY, Caleb. Cracked Media: The Sound of Malfunction. Cambridge, MA: MIT Press, 2009.

KLINGER, Barbara. Beyond the Multiplex: Cinema, New Technologies, and the Home. Berkeley: University of California Press, 2006.

KRAPP, Peter. Noise Channels: Glitch and Error in Digital Culture. Minneapolis: University of Minnesota Press, 2011.

LARKIN, Brian. Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria. Durham, NC: Duke University Press, 2008.

LEVY, Matthys; SALVADORI, Mario. Why Buildings Fall Down: How Structures Fail. New York: W. W. Norton, 1992.

LOEFFLER, Jens. The Mystery behind Live Streaming Delay. OverDigital, 7 fev. 2012. Disponível em: http://www.overdigital.com/2012/02/07/the-mystery-behind-live-streaming-delay. Acesso em: 03/07/2023.

MANOVICH, Lev. The Language of New Media. Cambridge, MA: MIT Press, 2001.

MANTZ, Jeffery. Improvisational Economies: Coltan Production in the Eastern Congo. Social Anthropology, v. 16, n. 1, p. 34-50, 2008.

McCARTHY, Anna. Ambient Television: Visual Culture and Public Space. Durham, NC: Duke University Press, 2001.

McPHERSON, Tara. US Operating Systems at Mid-Century: The Intertwining of Race and UNIX. In: NAKAMURA, Lisa Nakamura; CHOW-White, Peter (orgs.). Race after the Internet. New York: Routledge, 2012. p. 21-37.

MILLER, Toby. Cultural Citizenship: Cosmopolitanism, Consumerism, and Television in a Neoliberal Age. Philadelphia: Temple University Press, 2007.

MILLS, Mara. Deafening: Noise and the Engineering of Communication in the Telephone System. Grey Room, v. 43, n. 7, p. 118-143, 2011.

MONBIOT, George. Neoliberalism — the Ideology at the Root of All Our Problems. The Guardian, 15 abr. 2016a. Disponível em: https://www.theguardian.com/books/2016/apr/15/neoliberalism-ideology-problem-george-monbiot. Acesso em: 03/07/2023.

MONBIOT, George. How Did We Get into This Mess?. New York: Verso Books, 2016b.

NOVAK, David; SAKAKEENY, Matt (orgs.). Keywords in Sound. Durham, NC: Duke University Press, 2015.

PARIKKA, Jussi. The Anthrobscene. Minneapolis: University of Minnesota Press, 2015.

PARISER, Eli. The Filter Bubble: How the New Personalized Web Is Changing What We Read and How We Think. New York: Penguin Press, 2011.

PASQUALE, Frank. The Black Box Society: The Secret Algorithms That

Control Money and Information. Cambridge, MA: Harvard University Press, 2015.

PETERS, John Durham. Speaking into the Air: A History of the Idea of Communication. Chicago: University of Chicago Press, 1999.

PETRUSKA, Karen; VANDERHOEF, John. TV That Watches You: Data Collection and the Connected Living Room. Spectator, v. 34, n. 2, p. 33-42, 2014.

PETTMAN, Dominic. Infinite Distraction. Cambridge, UK: Polity Press, 2016.

POTTS, Tracey. Life Hacking and Everyday Rhythm. In: EDENSOR, Tim (org.). Geographies of Rhythm: Nature, Place, Mobilities, and Bodies. Burlington, VT: Ashgate, 2010. p.33-44.

PRZYBYLSKI, Andrew K.; MURAYAMA, Kou; DEHAAN, Cody R.; GLADWELL, Valerie. Motivational, Emotional, and Behavioral Correlates of Fear of Missing Out. Computers in Human Behavior, v. 29, n. 4, p. 1841-1848, 2013.

ROSE, Nikolas. The Politics of Life Itself: Biomedicine, Power, and Subjectivity in the Twenty-First Century. Princeton, NJ: Princeton University Press, 2007.

SCHOLZ, Trebor. Digital Labor: The Internet as Playground and Factory. New York: Routledge, 2012.

SCHULL, Natasha. Addiction by Design: Machine Gambling in Las Vegas. Princeton, NJ: Princeton University Press, 2012.

SMITH, Jo T. DVD Technologies and the Art of Control. In: BENNETT, James; BROWN, Tom (orgs.). Film and Television after DVD. New York: Routledge, 2008. p. 129-148.

SMULYAN, Susan. Selling Radio: The Commercialization of American Broadcasting, 1920–1934. Washington, DC: Smithsonian Institution Press, 1994.

STAROSIELSKI, Nicole. Fixed Flow: Undersea Network as Media Infrastructure. In: PARKS, Lisa; STAROSIELSKI, Nicole (orgs.). Signal Traffic: Critical Studies of Media Infrastructures. Urbana, Chicago, e Springfield: University of Illinois Press, 2015. p.53-70.

STERNE, Jonathan Sterne. MP3: The Meaning of a Format. Durham, NC: Duke University Press, 2012.

STREETER, Thomas. Selling the Air: A Critique of Commercial Broadcasting in the United States. Chicago: University of Chicago Press, 1996.

TERRANOVA, Tiziana. Free Labor: Producing Culture for the Digital Economy. Social Text, v. 18, n. 2, p. 33-58, 2000.

TURNER, Fred. From Counterculture to Cyberculture. Chicago: University of Chicago Press, 2006.

WALD, Chelsea. Why Your Brain Hates Slowpokes. Nautilus, 5 mar. 2015. Disponível em: https://nautil.us/why-your-brain-hates-slowpokes-235318. Acesso em: 03/07/2023.

WANG, Shirley. Get Out of My Way, You Jerk!. Wall Street Journal, 15 fev. 2011. Disponível em: http://www.wsj.com/articles/SB10001424052748703786804576138261177599114. Acesso em: 03/07/2023.

WE ARE PLAN C. “We Are All Very Anxious”. Plan C, 4 abr. 2014. Disponível em: http://www.weareplanc.org/blog/we-are-all-very-anxious. Acesso em: 03/07/2023.

WEBER, Max. Economy and Society: An Outline of Interpretive Sociology. Berkeley: University of California Press, 1978.

Descargas

Publicado

2023-07-30

Número

Vol. 12 Núm. 1 (2023): Rebeca 23

Sección

Reseñas y Traducciones

Licencia

Derechos de autor 2023 Neta Alexander

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

1.Los/as autores/as conservan los derechos de autoría y conceden a la revista el derecho a la primera publicación, con la obra simultáneamente licenciada bajo la licenciaCreative Commons Attribution License, que permite compartir el trabajo con el reconocimiento de autoría y publicación inicial en esta revista.

 

2.Los/as autores/as son autorizados/as a asumir contratos adicionales por separado, para distribución no exclusiva de la versión del artículo publicado en esta revista (por ejemplo, publicar en un repositorio institucional o como capítulo de libro), con reconocimiento de autoría y publicación inicial en esta revista.

 

Creative Commons License
REBECA está autorizada por una Licencia Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

 

CC BY-NC-SA

Esta licencia permite a otros entremezclar, adaptar y crear a partir de su trabajo para fines no comerciales, siempre y cuando le den el crédito adecuado y que licencien sus nuevas creaciones en idénticos términos.

 

 

Usted está autorizado/a a:

 

●  Compartir — copiar y redistribuir el material en cualquier medio o formato.

●  Adaptar — mezclar, transformar y crear sobre el material.

 

El licenciante no puede revocar estas autorizaciones siempre y cuando usted cumpla con los requisitos de la licencia:

 

·   Usted debe reconocer el crédito de forma adecuada, proporcionar un enlace a la licencia e indicar si se han realizado cambios. Esto se puede hacer en cualquier forma razonable, pero de ninguna manera que sugiera que usted o el uso que usted hace del material tiene el apoyo del licenciante.

·   Usted no podrá utilizar el material con fines comerciales.