A festival and the city: an investigation into the Federal District Film Festival

Review

Authors

DOI:

https://doi.org/10.22475/rebeca.v13n2.1033

Keywords:

Filmfestivals, Rio de Janeiro, Audiovisual narrative, Representation

Abstract

Created by the Municipal Chamber of Rio de Janeiro in 1951, during the government of Mayor João Carlos Vital, the Cinematographic Festival of the Federal District has among its initial objects incentivize the Rio audiovisual industry and stimulate tourist activity in the city, in order to contribute to disseminate to his image for the rest of the country and the world. With its organization attributed to the Department of Tourism of the Federal District, the project has a short life, not just over ten years of existence. Despite its short trajectory, the Festival occupies a fundamental space for the construction of Rio's cultural policies in its context, this being the case study of Capitality in dispute: the film festival of the Federal District and other festivals in Brazil in 1950. The work seeks, in the foreground, to historicize and problematize the Festival as a project marked by political intentions and perspectives, as well as debate on the period's own audiovisual genres, such as Chanchadas. In the background, Pinto e Mager presents a provocative and singular study, of a monographic nature, that stimulates reflections on the theoretical and methodological operations of the study of festivals in historiography.

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Author Biography

Igor Lemos Moreira, Federal University of São Paulo

Currently conducting postdoctoral research at the Institute of Cities at the Federal University of São Paulo (Unifesp). PhD graduate from the Graduate Program in History at the State University of Santa Catarina (UDESC), Brazil.

References

DOURADO, Ana Karícia Machado. Chanchada: performance do insólito e paradoxo do comediante. Tese (Doutorado). Universidade de São Paulo, São Paulo, 2013.

DE VALCK, Marijke. Film festivals from european geopolitics to global cinephilia. Amsterdã: Amsterdam University Press, 2007.

O PETRÓLEO é nosso. Direção: Watson Macedo. Brasil, 1954. 95 min., sonoro, preto e branco.

STEVENS, Kirsten. Across and in-between: Transcending disciplinary borders in film festival studies, Fusion Journal, Granada, n. 14, 2018, pp. 46-59. Disponível em: Disponível em: http://www.fusion-journal.com/across-and-in-between-transcending-disciplinary-borders-in-film-festival-studies/. Acesso em: 16 dez. 2024.

VALLEJO VALLEJO, Aida. Festivales cinematográficos: en el punto de mira de la historiografía fílmica, Secuencias, Madri, n. 39, p. 13-42, primeiro semestre de 2014. Disponível em: https://revistas.uam.es/secuencias/article/view/5838. Acesso em: 16 dez. 2024.

VILLAÇA, Mariana. Cinema Cubano. São Paulo: Alameda, 2010.

Published

2024-12-23

Issue

Section

Reviews and Translations