Atmosferas do passado: o cinema de Salomão Santana

Authors

  • André Antônio Barbosa

DOI:

https://doi.org/10.22475/rebeca.v3n2.86

Keywords:

atmosfera, melancolia, montagem, Salomão Santana

Abstract

Através do uso de imagens de arquivo privadas (registros caseiros do começo da utilização do VHS), os curtas-metragens do realizador cearense Salomão Santana retiram o passado do seu invólucro confortável de mero “patrimônio” acumulado e estabelecem com ele uma relação de choque e estranhamento, trazendo para primeiro plano a influência melancólica e perturbadora de seus tons atmosféricos. Este artigo pretende enxergar melhor a maneira pela qual esse gesto se efetiva sobretudo a parir de duas operações: a montagem e a exploração dos aspectos pictóricos da imagem.

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Published

2016-07-25

Issue

Vol. 3 No. 2 (2014): REBECA 6

Section

General articles

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