Announcements

[New Deadline] Call for Papers – Dossier: Cinema Audiences in Latin America and the Caribbean

2024-12-17

The deadline for submitting articles to the international dossier “Cinema Audiences in Latin America and the Caribbean” has been extended. In addition to articles, contributions related to the theme are welcome for the sections Reviews, Criticism and Translations, Interviews, and Out of Frame.

New final deadline: 03-04-2025

Guest Editors:

Ana Rosas Mantecón, Universidad Autónoma Metropolitana Iztapalapa, Mexico

Bianca Salles Pires, Universidade Federal Fluminense, Brazil / Universidad Autónoma Metropolitana Iztapalapa, Mexico

María Paz Peirano, Universidad de Chile / University of Antwerp, Belgium

 

Read more about [New Deadline] Call for Papers – Dossier: Cinema Audiences in Latin America and the Caribbean

Current Issue

Vol. 13 No. 2 (2024): Rebeca 26
View Vol. 13 No. 2 (2024): Rebeca 26

 

 

 

 

 

 

 

Dossier Iracema, 50 Years Later

Image: Iracema, uma transa amazônica

Published: 2024-12-23

Editorial

  • Editorial

    Miriam de Souza Rossini, Luíza Beatriz Amorim Melo Alvim, Morgana Gama de Lima, Alex Ferreira Damasceno , Márcio Zanetti Negrini
    DOI: https://doi.org/10.22475/rebeca.v13n2.1219

Dossier Presentation

  • Iracema, 50 anos depois

    Denise Tavares, Alex Damasceno, Jamer Guterres de Mello
    DOI: https://doi.org/10.22475/rebeca.v13n2.1206

Dossier

  • Dialogue of images Iracema and Cinema Marginal

    Leonardo Bomfim Pedrosa, Juliana Costa
    DOI: https://doi.org/10.22475/rebeca.v13n2.1186

  • The renewal of the interview in Iracema and Retrato de uma paisagem

    Laecio Ricardo de Aquino Rodrigues
    DOI: https://doi.org/10.22475/rebeca.v13n2.1152

  • Modulations between documentary and fiction in Iracema - uma transa amazônica

    Gustavo Soranz
    DOI: https://doi.org/10.22475/rebeca.v13n2.1161

  • Bodies in crisis, territories in dispute Reflections on the road movie Iracema - uma transa amazônica

    Régis Orlando Rasia
    DOI: https://doi.org/10.22475/rebeca.v13n2.1150

  • Iracema - uma transa amazônica A movie watched by the information community

    Tânia Aparecida de Souza Vicente
    DOI: https://doi.org/10.22475/rebeca.v13n2.1143

  • Objectification of women and the pathosformel of the male gaze in Iracema - uma transa amazônica

    Gabriela Frota Reinaldo, Aluisio Ferreira de Lima, Aline Rebouças Azevedo Soares
    DOI: https://doi.org/10.22475/rebeca.v13n2.1153

  • Cristais de sangue Resistance in Brazilian cinema made by women in an implied analysis

    Karla Holanda
    DOI: https://doi.org/10.22475/rebeca.v13n2.1181

Interviews

  • Memories of an activist filmmaker Interview with Jorge Bodanzky

    Denise Tavares, Alex Damasceno, Jamer Guterres de Mello
    DOI: https://doi.org/10.22475/rebeca.v13n2.1208

  • Orlando Senna A trajectory in Brazilian and Latin American cinema

    Marco Túlio Ulhôa
    DOI: https://doi.org/10.22475/rebeca.v13n2.1201

  • Cinema and History: an educational proposal Interview with Silvio Tendler

    Kênia Faria Brant , Robson Loureiro, Rafael Nogueira Costa
    DOI: https://doi.org/10.22475/rebeca.v13n2.993

  • Cinema, housing and fictionalization Conversation with Bruno Carboni about The roof above us (2015)

    Bruno Leites, Isabelle do Pilar Mendes, Felipe Diniz
    DOI: https://doi.org/10.22475/rebeca.v13n2.1066

Out of frame

  • An incomplete biography of the film Iracema - uma transa amazônica

    Orlando Senna
    DOI: https://doi.org/10.22475/rebeca.v13n2.1207

  • Absent images and remembrance in David Perlov's diaries

    Raisa Christina Lima Saraiva
    DOI: https://doi.org/10.22475/rebeca.v13n2.1045

General articles

  • The amplified fake Sound resources in Orson Welles’ F for fake

    Ines Bushatsky
    DOI: https://doi.org/10.22475/rebeca.v13n2.994

  • Hearing queer temporalities The audiovisual disjunction in Blue (1993) and The Terence Davies trilogy (1983)

    Breno Alvarenga
    DOI: https://doi.org/10.22475/rebeca.v13n2.1057

  • Resistência e Reversibilidade em Straub-Huillet

    Demétrio Rocha Pereira
    DOI: https://doi.org/10.22475/rebeca.v13n2.1125

  • Gigi Vincente Minnelli between melodrama and musical film

    Luiz Fernando Coutinho
    DOI: https://doi.org/10.22475/rebeca.v13n2.987

  • Literariness in Playing A proposal of a relationship between cinema and literature

    Vitor Soster
    DOI: https://doi.org/10.22475/rebeca.v13n2.974

  • Threatening bodies in brazilian science fiction The female characters in the film O jardim das espumas (1970)

    Carolina de Oliveira Silva
    DOI: https://doi.org/10.22475/rebeca.v13n2.1159

  • Contingencies and crossings of climat masculine and feminine in the Interstellar script and film

    Simão Farias Almeida
    DOI: https://doi.org/10.22475/rebeca.v13n2.1015

  • Fruit of paradise The sensorial and the profane of Věra Chytilová

    Luiza Wollinger Delfino, Esther Império Hamburger
    DOI: https://doi.org/10.22475/rebeca.v13n2.1005

  • The editing process of Jonas Mekas' diary films

    Tiago Ramos
    DOI: https://doi.org/10.22475/rebeca.v13n2.989

  • Missivas Border, identity and memory in the construction of the documentary about Jane Vanini

    Sandro Luis Costa da Silva, Caroline de Oliveira Santos
    DOI: https://doi.org/10.22475/rebeca.v13n2.950

Reviews and Translations

  • Documentary: movies, windows and pendulums Review

    Álvaro André Zeini Cruz
    DOI: https://doi.org/10.22475/rebeca.v13n2.1085

  • A festival and the city: an investigation into the Federal District Film Festival Review

    Igor Lemos Moreira
    DOI: https://doi.org/10.22475/rebeca.v13n2.1033

  • At Eternity’s gate: an analysis of Vincent Van Gogh’s biopic directed by Julian Schnabel Criticism

    Alane Melo da Silva
    DOI: https://doi.org/10.22475/rebeca.v13n2.1018

Masthead

  • Masthead

    DOI: https://doi.org/10.22475/rebeca.v13n2.1215
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