Announcements

Film audiences in Latin America and the Caribbean

2024-12-17

The call for submissions is now open for the international dossier "Cinema Audiences in Latin America and the Caribbean." In addition to articles, contributions related to the theme are welcome for the sections Reviews, Criticism and Translations, Interviews, and Off-Screen.

Submission Deadline: 02/17/2025

Guest Editors:
Ana Rosas Mantecón, Universidad Autónoma Metropolitana Iztapalapa, Mexico
Bianca Salles Pires, Fluminense Federal University, Brazil / Universidad Autónoma Metropolitana Iztapalapa, Mexico
María Paz Peirano, University of Chile / University of Antwerp, Belgium

Read more about Film audiences in Latin America and the Caribbean

Current Issue

Vol. 13 No. 1 (2024): Rebeca 25
View Vol. 13 No. 1 (2024): Rebeca 25

Dossier on Cinema and Colonialism

Image: Manuel de San Martin | Collection of the Moreira Salles Institute

Published: 2024-07-02

Editorial

  • Editorial

    Alex Ferreira Damasceno, Luíza Beatriz Amorim Melo Alvim , Miriam de Souza Rossini, Morgana Gama de Lima, Márcio Zanetti Negrini
    DOI: https://doi.org/10.22475/rebeca.v13n1.1139

Dossier Presentation

  • Cinema and Colonialism

    Bárbara Bergamaschi Novaes, Bruna Carolina Carvalho, Michelle Sales , Victa de Carvalho Pereira da Silva
    DOI: https://doi.org/10.22475/rebeca.v13n1.1140

Dossier

  • From oral myth to audiovisual An analysis of transposition as narrative experience of regional and subaltern identities

    Ana Karen Grünig
    DOI: https://doi.org/10.22475/rebeca.v13n1.1065

  • Still, a colonial situation? A reflection on the structural dependency of Brazilian cinema

    Noel dos Santos Carvalho, Jailson Ramos
    DOI: https://doi.org/10.22475/rebeca.v13n1.1102

  • Figuration and powers of the domestic worker in recent Brazilian cinema

    Romane Carrière
    DOI: https://doi.org/10.22475/rebeca.v13n1.1110

  • White out, black in, sound dispute Black atlantic as a way of listening

    Maria Del-Vecchio Bogado
    DOI: https://doi.org/10.22475/rebeca.v13n1.1104

  • Arthur Omar, Trinh T. Minh-ha and the answers to the colonization of the cinematic representation of the “real”

    Rafael de Campos
    DOI: https://doi.org/10.22475/rebeca.v13n1.1097

  • Godard in Mozambique The pursuit of an image of independence

    Karen Barros da Fonseca
    DOI: https://doi.org/10.22475/rebeca.v13n1.1089

  • A sick body-film Formal subversion and the power of life in What now? Remind Me

    Lucas Camargo de Barros, Fabián Cevallos Vivar
    DOI: https://doi.org/10.22475/rebeca.v13n1.1088

  • From cosmic cannibalism to colonial (re)figurations of the mouth-machine in the film The cannibal club

    José Laerton Santos da Silva , Daniel Meirinho
    DOI: https://doi.org/10.22475/rebeca.v13n1.1058

  • Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict

    Karina Gomes Barbosa, Rodrigo Castro
    DOI: https://doi.org/10.22475/rebeca.v13n1.1094

Interviews

  • Decolonial Narratives The Emergence of the Collective Cinema of the Peripheries of São Paulo

    Irislane Mendes, Wellington Amorim
    DOI: https://doi.org/10.22475/rebeca.v13n1.1080

Reviews and Translations

  • The hold of the world Re-enactment and survivance in Pedro Costa

    Jens Andermann; Tradutora: Bruna Carolina Carvalho
    DOI: https://doi.org/10.22475/rebeca.v13n1.1119

  • The Anthropocene in our apartments For a sensitive Amazon by Emanuele Coccia

    Ribamar José de Oliveira Junior
    DOI: https://doi.org/10.22475/rebeca.v13n1.1112

  • The white clouds doesn’t melt into thin air An anti-racist vision of digital colonialism

    Taynara Gregório Santos, Bruna Távora
    DOI: https://doi.org/10.22475/rebeca.v13n1.1111

  • A decolonial ecology Thinking about emancipatory futures in a world-ship capable of gathering, listening and celebrating meetings

    Catarina Amorim de Oliveira Andrade
    DOI: https://doi.org/10.22475/rebeca.v13n1.1082

Out of frame

  • Sarah Maldoror Retrospective How to eat indigestible knowledges

    Barbara Bergamaschi Novaes
    DOI: https://doi.org/10.22475/rebeca.v13n1.1144

  • Ozualdo Candeias, a cinema of misery

    Beatriz Pôssa de Carvalho, Manoel Ricardo de Lima
    DOI: https://doi.org/10.22475/rebeca.v13n1.1122

  • An epic of terror in contemporary cinema The Northman (2022) and the construction of atmosphere

    Luis Guilherme Comar Freza
    DOI: https://doi.org/10.22475/rebeca.v13n1.937

General articles

  • Elusive Trajectories Space in The Search of Memory in documentary

    Laís de Lorenço Teixeira
    DOI: https://doi.org/10.22475/rebeca.v13n1.967

  • The colors in the film In the heart of the sea’s cinematography A photographic watercolor

    Matheus Andrade, Aline de Caldas Costa dos Santos
    DOI: https://doi.org/10.22475/rebeca.v13n1.952

  • Mannerism in contemporary Brazilian cinema

    Hermano Callou
    DOI: https://doi.org/10.22475/rebeca.v13n1.960

  • Toda Nudez Será Castigada (Arnaldo Jabor, 1972) para além de Nelson Rodrigues um encontro com O Último Tango em Paris (Bernardo Bertolucci, 1972)

    Gabriel Marques Fernandes
    DOI: https://doi.org/10.22475/rebeca.v13n1.915

  • Mapping of Black Brazilian Cinema A quantitative analysis of the field between the years 2000 – 2020

    Márcio Brito Neto
    DOI: https://doi.org/10.22475/rebeca.v13n1.916

Masthead

  • Editorial team

    DOI: https://doi.org/10.22475/rebeca.v13n1.1138
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