Decolonial Narratives
The Emergence of the Collective Cinema of the Peripheries of São Paulo
DOI:
https://doi.org/10.22475/rebeca.v13n1.1080Keywords:
Maloka Filmes, Collective Cinema, Public Policies, LGBTQI+ CinemaAbstract
The emergence of new technologies has driven a significant expansion in audiovisual production, enabling the creation of new cinemas by those who speak from their own experiences. Audiovisual collectives stand out by offering a renewed perspective on community, an intrinsic element of cinematic practice. These collectives horizontally share responsibilities and participations collaboratively. In this context, Maloka Filmes, from São Paulo’s South Zone, actively seeks access to funding, exhibition opportunities, and distribution. Such accesses are essential conditions for realizing a more democratic cinema that envisions a future embracing diversity, Black culture, LGBTQI+ expression, peripheral communities, and the authentic identity of the local culture.
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BARBERO, Jesús Martín. Novas visibilidades políticas da cidade e visualidades narrativas da violência, MATRIZes, 1(1), 27-39, 2007. SPCultura. Prefeitura de São Paulo. Disponível em: https://spcultura.prefeitura.sp.gov.br/projeto/679/. Acesso em: 25 fev. 2024
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