Vol. 12 No. 2 (2023): Rebeca 24

View Vol. 12 No. 2 (2023): Rebeca 24

 

 

 

 

 

 

 

Dossiê temático: “Eduardo Coutinho, 90 anos”

Imagem: Bianca Aun (VideoFilmes).

Processo de realização do filme Moscou (Eduardo Coutinho, 2008).

Published: 2024-01-13

Editorial

  • Editorial

    Luíza Alvim, Miriam de Souza Rossini, Marcelo Rodrigues Souza Ribeiro, Patrícia Furtado Mendes Machado, Márcio Zanetti Negrini
    DOI: https://doi.org/10.22475/rebeca.v12n2.1037

Dossier Presentation

  • Eduardo Coutinho, 90 anos

    Cláudia Cardoso Mesquita, Fábio, Kamilla Medeiros
    DOI: https://doi.org/10.22475/rebeca.v12n2.1034

Dossier

  • Archive images as a filmic gesture by Eduardo Coutinho

    Marcelo Dídimo Souza Vieira, Luana Vitorino Sampaio Passos
    DOI: https://doi.org/10.22475/rebeca.v12n2.969

  • The transformation of images in Um dia na vida from the flow of television to the audiovisual archive

    Renato Beaklini, Anita Leandro
    DOI: https://doi.org/10.22475/rebeca.v12n2.979

  • Eccentric structure The structural exploration of Um Dia na Vida’s televisual re-appropriation

    Renato Guimarães Furtado
    DOI: https://doi.org/10.22475/rebeca.v12n2.964

  • The writing of history in 90 years of cinema a Brazilian adventure

    Luís Alberto Rocha Melo
    DOI: https://doi.org/10.22475/rebeca.v12n2.997

  • Modes of acting in the “stage trilogy” the actor and the actress in Jogo de Cena, Moscou and As Canções

    Luíza Zaidan Granato, Pedro Guimarães
    DOI: https://doi.org/10.22475/rebeca.v12n2.988

  • From the scene to the spectator a new look at Jogo de Cena

    Helena Oliveira Teixeira de Carvalho
    DOI: https://doi.org/10.22475/rebeca.v12n2.961

  • Eduardo Coutinho, Jacques Rancière and the elaboration of the sensitive world of the anonymous

    Pedro Caetano Eboli Nogueira
    DOI: https://doi.org/10.22475/rebeca.v12n2.972

Interviews

Out of frame

  • Cinema of reencounters forms of history in Cabra and in the trilogy by Vincent Carelli

    André Brasil
    DOI: https://doi.org/10.22475/rebeca.v12n2.1029

General articles

  • Decolonizing the Brazilian audiovisual and cinema history representation and participation of Natives, Africans and Afrodescendants

    Carolin Overhoff Ferreira
    DOI: https://doi.org/10.22475/rebeca.v12n2.884

  • Maintaining Good Manners colonialism and structural racism in Brazilian horror cinema

    Yuri Garcia
    DOI: https://doi.org/10.22475/rebeca.v12n2.893

  • From literature to film, from film to series some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho

    Gustavo Tanus Cesário de Souza, Filipe Schettini, Antonia Cristina de Alencar Pires; Translation from the original English version to Portuguese: Flávia Forcatho
    DOI: https://doi.org/10.22475/rebeca.v12n2.894

  • The construction of dialogues in Wes Anderson

    Henrique Bolzan Quaioti
    DOI: https://doi.org/10.22475/rebeca.v12n2.953

  • Screening of North Korean films in South Korea New rapprochements and the case of the 22nd BIFAN

    Gabriel da Silva Pinheiro, Flávia Cesarino Costa
    DOI: https://doi.org/10.22475/rebeca.v12n2.923

  • Recommendation Algorithms a study on how Netflix’s recommender system works, and it is described

    Tiago Franklin Rodrigues Lucena, Eduarda Carretero Garcia, Mariana Maronezzi Brezovsky , Thiago Fanelli Ferraiol
    DOI: https://doi.org/10.22475/rebeca.v12n2.898

Masthead

  • Editorial Staff

    DOI: https://doi.org/10.22475/rebeca.v12n2.1035