Vol. 13 No. 1 (2024): Rebeca 25

View Vol. 13 No. 1 (2024): Rebeca 25

Dossier on Cinema and Colonialism

Image: Manuel de San Martin | Collection of the Moreira Salles Institute

Published: 2024-07-02

Editorial

  • Editorial

    Alex Ferreira Damasceno, Luíza Beatriz Amorim Melo Alvim , Miriam de Souza Rossini, Morgana Gama de Lima, Márcio Zanetti Negrini
    DOI: https://doi.org/10.22475/rebeca.v13n1.1139

Dossier Presentation

  • Cinema and Colonialism

    Bárbara Bergamaschi Novaes, Bruna Carolina Carvalho, Michelle Sales , Victa de Carvalho Pereira da Silva
    DOI: https://doi.org/10.22475/rebeca.v13n1.1140

Dossier

  • From oral myth to audiovisual An analysis of transposition as narrative experience of regional and subaltern identities

    Ana Karen Grünig
    DOI: https://doi.org/10.22475/rebeca.v13n1.1065

  • Still, a colonial situation? A reflection on the structural dependency of Brazilian cinema

    Noel dos Santos Carvalho, Jailson Ramos
    DOI: https://doi.org/10.22475/rebeca.v13n1.1102

  • Figuration and powers of the domestic worker in recent Brazilian cinema

    Romane Carrière
    DOI: https://doi.org/10.22475/rebeca.v13n1.1110

  • White out, black in, sound dispute Black atlantic as a way of listening

    Maria Del-Vecchio Bogado
    DOI: https://doi.org/10.22475/rebeca.v13n1.1104

  • Arthur Omar, Trinh T. Minh-ha and the answers to the colonization of the cinematic representation of the “real”

    Rafael de Campos
    DOI: https://doi.org/10.22475/rebeca.v13n1.1097

  • Godard in Mozambique The pursuit of an image of independence

    Karen Barros da Fonseca
    DOI: https://doi.org/10.22475/rebeca.v13n1.1089

  • A sick body-film Formal subversion and the power of life in What now? Remind Me

    Lucas Camargo de Barros, Fabián Cevallos Vivar
    DOI: https://doi.org/10.22475/rebeca.v13n1.1088

  • From cosmic cannibalism to colonial (re)figurations of the mouth-machine in the film The cannibal club

    José Laerton Santos da Silva , Daniel Meirinho
    DOI: https://doi.org/10.22475/rebeca.v13n1.1058

  • Larissa Sansour’s cinema and the One-State solution to the Israel-Palestine conflict

    Karina Gomes Barbosa, Rodrigo Castro
    DOI: https://doi.org/10.22475/rebeca.v13n1.1094

Interviews

  • Decolonial Narratives The Emergence of the Collective Cinema of the Peripheries of São Paulo

    Irislane Mendes, Wellington Amorim
    DOI: https://doi.org/10.22475/rebeca.v13n1.1080

Reviews and Translations

  • The hold of the world Re-enactment and survivance in Pedro Costa

    Jens Andermann; Tradutora: Bruna Carolina Carvalho
    DOI: https://doi.org/10.22475/rebeca.v13n1.1119

  • The Anthropocene in our apartments For a sensitive Amazon by Emanuele Coccia

    Ribamar José de Oliveira Junior
    DOI: https://doi.org/10.22475/rebeca.v13n1.1112

  • The white clouds doesn’t melt into thin air An anti-racist vision of digital colonialism

    Taynara Gregório Santos, Bruna Távora
    DOI: https://doi.org/10.22475/rebeca.v13n1.1111

  • A decolonial ecology Thinking about emancipatory futures in a world-ship capable of gathering, listening and celebrating meetings

    Catarina Amorim de Oliveira Andrade
    DOI: https://doi.org/10.22475/rebeca.v13n1.1082

Out of frame

  • Sarah Maldoror Retrospective How to eat indigestible knowledges

    Barbara Bergamaschi Novaes
    DOI: https://doi.org/10.22475/rebeca.v13n1.1144

  • Ozualdo Candeias, a cinema of misery

    Beatriz Pôssa de Carvalho, Manoel Ricardo de Lima
    DOI: https://doi.org/10.22475/rebeca.v13n1.1122

  • An epic of terror in contemporary cinema The Northman (2022) and the construction of atmosphere

    Luis Guilherme Comar Freza
    DOI: https://doi.org/10.22475/rebeca.v13n1.937

General articles

  • Elusive Trajectories Space in The Search of Memory in documentary

    Laís de Lorenço Teixeira
    DOI: https://doi.org/10.22475/rebeca.v13n1.967

  • The colors in the film In the heart of the sea’s cinematography A photographic watercolor

    Matheus Andrade, Aline de Caldas Costa dos Santos
    DOI: https://doi.org/10.22475/rebeca.v13n1.952

  • Mannerism in contemporary Brazilian cinema

    Hermano Callou
    DOI: https://doi.org/10.22475/rebeca.v13n1.960

  • Toda Nudez Será Castigada (Arnaldo Jabor, 1972) para além de Nelson Rodrigues um encontro com O Último Tango em Paris (Bernardo Bertolucci, 1972)

    Gabriel Marques Fernandes
    DOI: https://doi.org/10.22475/rebeca.v13n1.915

  • Mapping of Black Brazilian Cinema A quantitative analysis of the field between the years 2000 – 2020

    Márcio Brito Neto
    DOI: https://doi.org/10.22475/rebeca.v13n1.916

Masthead

  • Editorial team

    DOI: https://doi.org/10.22475/rebeca.v13n1.1138