Vol. 12 No. 1 (2023): Rebeca 23

View Vol. 12 No. 1 (2023): Rebeca 23

Edição Rebeca 10 anos

Published: 2023-07-30

Editorial

  • Editorial

    Luíza Beatriz Amorim Melo Alvim , Miriam de Souza Rossini, Marcelo Rodrigues Souza Ribeiro , Patrícia Furtado Mendes Machado, Márcio Zanetti Negrini
    DOI: https://doi.org/10.22475/rebeca.v12n1.984

Dossier Presentation

  • Reconfigurações do campo cinematográfico nos anos 2010

    Daniela Giovana Siqueira, Julio Bezerra , Luíza Beatriz Amorim Melo Alvim, Marcelo Gil Ikeda
    DOI: https://doi.org/10.22475/rebeca.v12n1.983

Dossier

  • Leviathan and sensorial ethnography

    Lucas Murari
    DOI: https://doi.org/10.22475/rebeca.v12n1.927

  • Perceptual insecurity and multisensory in contemporary nordic horror

    Rodrigo Carreiro, Laura Loguercio Cánepa
    DOI: https://doi.org/10.22475/rebeca.v12n1.913

  • The (re)invention of Brazilian cinema in its dialogue with the science fiction genre

    Arthur Lins
    DOI: https://doi.org/10.22475/rebeca.v12n1.934

  • Aesthetics of the everyday in 2010s Brazilian cinema

    Calac Nogueira
    DOI: https://doi.org/10.22475/rebeca.v12n1.940

  • Contemporary subaltern Brazilian cinema Violence and subjectivities in Arábia and A vizinhança do tigre

    Caio Olympio da Rocha, Mauricio Matos
    DOI: https://doi.org/10.22475/rebeca.v12n1.924

  • Divisions and confrontations of the Brazilian cinematographic field in times of Ancine (2006-2017)

    Arthur Autran
    DOI: https://doi.org/10.22475/rebeca.v12n1.919

  • Cinema made in Goiás a recent approach about audiovisual history

    Thais Rodrigues Oliveira
    DOI: https://doi.org/10.22475/rebeca.v12n1.925

  • Spaces for professional training and expansion of access for new social actors to the audiovisual field The case of Audiovisual Center of São Bernardo do Campo (CAV)

    Denise Regina Szabo, Nara Lya Cabral Scabin
    DOI: https://doi.org/10.22475/rebeca.v12n1.938

  • In search of an authority Film criticism and its current imperatives

    Rafael Oliveira Carvalho
    DOI: https://doi.org/10.22475/rebeca.v12n1.936

Reviews and Translations

Interviews

Out of frame

  • Round table Reconfigurations of the cinematographic field in the 2010s

    Luíza Beatriz Amorim Melo Alvim, Julio Bezerra, Pedro Butcher Butcher, Kênia Freitas, Hernani Heffner, Marcelo Gil Ikeda, Lúcia Ramos Monteiro, Daniela Giovana Siqueira
    DOI: https://doi.org/10.22475/rebeca.v12n1.985

General articles

  • Overview of affirmative public policy for audiovisual in Brazil 10 years of the Curta Afirmativo production grant (2012-2022)

    Ana Paula Melo Sylvestre
    DOI: https://doi.org/10.22475/rebeca.v12n1.892

  • History, literature and landscape in Jia Zhangke's documentary The landscape-gaze in Swimming Out Till the Sea Turns Blue

    Camilo Soares
    DOI: https://doi.org/10.22475/rebeca.v12n1.891

  • After the loss of the world Taste of Cherry and the emergency conditions of contemporary cinema

    Eduardo Brandão Pinto
    DOI: https://doi.org/10.22475/rebeca.v12n1.918

  • Identity in crisis The notion of mineiridade in O Padre e a Moça

    Thiago Henrique Leão Leão Gomes, Cláudio Rodrigues Coração
    DOI: https://doi.org/10.22475/rebeca.v12n1.864

  • Rambo Vietcong, black historical revisionism in First Blood

    Victor Hermann
    DOI: https://doi.org/10.22475/rebeca.v12n1.883

Masthead

  • Expediente

    DOI: https://doi.org/10.22475/rebeca.v12n1.982