Vol. 13 No. 2 (2024): Rebeca 26

View Vol. 13 No. 2 (2024): Rebeca 26

 

 

 

 

 

 

 

Dossier Iracema, 50 Years Later

Image: Iracema, uma transa amazônica

Published: 2024-12-23

Editorial

  • Editorial

    Miriam de Souza Rossini, Luíza Beatriz Amorim Melo Alvim, Morgana Gama de Lima, Alex Ferreira Damasceno , Márcio Zanetti Negrini
    DOI: https://doi.org/10.22475/rebeca.v13n2.1219

Dossier Presentation

  • Iracema, 50 anos depois

    Denise Tavares, Alex Damasceno, Jamer Guterres de Mello
    DOI: https://doi.org/10.22475/rebeca.v13n2.1206

Dossier

  • Dialogue of images Iracema and Cinema Marginal

    Leonardo Bomfim Pedrosa, Juliana Costa
    DOI: https://doi.org/10.22475/rebeca.v13n2.1186

  • The renewal of the interview in Iracema and Retrato de uma paisagem

    Laecio Ricardo de Aquino Rodrigues
    DOI: https://doi.org/10.22475/rebeca.v13n2.1152

  • Modulations between documentary and fiction in Iracema - uma transa amazônica

    Gustavo Soranz
    DOI: https://doi.org/10.22475/rebeca.v13n2.1161

  • Bodies in crisis, territories in dispute Reflections on the road movie Iracema - uma transa amazônica

    Régis Orlando Rasia
    DOI: https://doi.org/10.22475/rebeca.v13n2.1150

  • Iracema - uma transa amazônica A movie watched by the information community

    Tânia Aparecida de Souza Vicente
    DOI: https://doi.org/10.22475/rebeca.v13n2.1143

  • Objectification of women and the pathosformel of the male gaze in Iracema - uma transa amazônica

    Gabriela Frota Reinaldo, Aluisio Ferreira de Lima, Aline Rebouças Azevedo Soares
    DOI: https://doi.org/10.22475/rebeca.v13n2.1153

  • Cristais de sangue Resistance in Brazilian cinema made by women in an implied analysis

    Karla Holanda
    DOI: https://doi.org/10.22475/rebeca.v13n2.1181

Interviews

  • Memories of an activist filmmaker Interview with Jorge Bodanzky

    Denise Tavares, Alex Damasceno, Jamer Guterres de Mello
    DOI: https://doi.org/10.22475/rebeca.v13n2.1208

  • Orlando Senna A trajectory in Brazilian and Latin American cinema

    Marco Túlio Ulhôa
    DOI: https://doi.org/10.22475/rebeca.v13n2.1201

  • Cinema and History: an educational proposal Interview with Silvio Tendler

    Kênia Faria Brant , Robson Loureiro, Rafael Nogueira Costa
    DOI: https://doi.org/10.22475/rebeca.v13n2.993

  • Cinema, housing and fictionalization Conversation with Bruno Carboni about The roof above us (2015)

    Bruno Leites, Isabelle do Pilar Mendes, Felipe Diniz
    DOI: https://doi.org/10.22475/rebeca.v13n2.1066

Out of frame

  • An incomplete biography of the film Iracema - uma transa amazônica

    Orlando Senna
    DOI: https://doi.org/10.22475/rebeca.v13n2.1207

  • Absent images and remembrance in David Perlov's diaries

    Raisa Christina Lima Saraiva
    DOI: https://doi.org/10.22475/rebeca.v13n2.1045

General articles

  • The amplified fake Sound resources in Orson Welles’ F for fake

    Ines Bushatsky
    DOI: https://doi.org/10.22475/rebeca.v13n2.994

  • Hearing queer temporalities The audiovisual disjunction in Blue (1993) and The Terence Davies trilogy (1983)

    Breno Alvarenga
    DOI: https://doi.org/10.22475/rebeca.v13n2.1057

  • Resistência e Reversibilidade em Straub-Huillet

    Demétrio Rocha Pereira
    DOI: https://doi.org/10.22475/rebeca.v13n2.1125

  • Gigi Vincente Minnelli between melodrama and musical film

    Luiz Fernando Coutinho
    DOI: https://doi.org/10.22475/rebeca.v13n2.987

  • Literariness in Playing A proposal of a relationship between cinema and literature

    Vitor Soster
    DOI: https://doi.org/10.22475/rebeca.v13n2.974

  • Threatening bodies in brazilian science fiction The female characters in the film O jardim das espumas (1970)

    Carolina de Oliveira Silva
    DOI: https://doi.org/10.22475/rebeca.v13n2.1159

  • Contingencies and crossings of climat masculine and feminine in the Interstellar script and film

    Simão Farias Almeida
    DOI: https://doi.org/10.22475/rebeca.v13n2.1015

  • Fruit of paradise The sensorial and the profane of Věra Chytilová

    Luiza Wollinger Delfino, Esther Império Hamburger
    DOI: https://doi.org/10.22475/rebeca.v13n2.1005

  • The editing process of Jonas Mekas' diary films

    Tiago Ramos
    DOI: https://doi.org/10.22475/rebeca.v13n2.989

  • Missivas Border, identity and memory in the construction of the documentary about Jane Vanini

    Sandro Luis Costa da Silva, Caroline de Oliveira Santos
    DOI: https://doi.org/10.22475/rebeca.v13n2.950

Reviews and Translations

  • Documentary: movies, windows and pendulums Review

    Álvaro André Zeini Cruz
    DOI: https://doi.org/10.22475/rebeca.v13n2.1085

  • A festival and the city: an investigation into the Federal District Film Festival Review

    Igor Lemos Moreira
    DOI: https://doi.org/10.22475/rebeca.v13n2.1033

  • At Eternity’s gate: an analysis of Vincent Van Gogh’s biopic directed by Julian Schnabel Criticism

    Alane Melo da Silva
    DOI: https://doi.org/10.22475/rebeca.v13n2.1018

Masthead

  • Masthead

    DOI: https://doi.org/10.22475/rebeca.v13n2.1215